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Behind the signature phrase ‘Big Rich in the Pungalunks Factory’ which is heard in songs like Hunter’s ‘Jep Sting Naina’, Hunter’s and Bunji Garlin’s ‘Bring It’, and Kenneth Salick’s ‘Radica’, is an interesting story of human ingenuity that beckons to be told.

‘Zesser’ a term that was initially coined and heavily associated with the Trinidad Dancehall community has now evolved into a movement. Today this movement, which was birthed within the streets of Trinidad’s ghettos is now making its way to some of the main stages, not just locally but internationally as well.

Since it was way too early for bed and with her four teenage children, without any internet and evidently growing restless,  Mother decided to use this inopportune moment to tell us tales and stories about entities of the night, the Caribbean folklore that she was told of when growing up as a child.

Jab Jab, the mass of the downtrodden, the music of the simple man has now ascended into prominence and respectability on the carnival scene. Jab has been around since the origin of carnival, Jab Molassie in Trinidad and Jab Jab in Grenada.